Over the past week I’ve been driving around in the dark. I’ve seen a lot of Christmas lights. From a few lights on a tree or front window, to entire yards with various biblical and secular Christmas scenes spelled out in them. Some of these displays have been up since just after Halloween (maybe even before). I love Christmas lights, no matter how tasteful or tacky. I love them because people love putting them up. I don’t know if it is because they simply love Christmas or there is a primordial/primeval hope that we might be able to bring light back into the world as the days are getting shorter.
The longest and coldest nights of the year are up on us and we are attempting to celebrate the birth of a savior. We don’t really know how to do that. We don’t really know what it means. We still sense the mystery of Christ’s life. We also perhaps sense within us the desire for the light to return, for the days to get longer again, for the warmth of spring. In times before we knew that little grows in the winter, that food will become more scarce and that firewood is needed for warmth.
While today, at least for those who are financially stable enough, heat, food, and light are not a major issue. Still, no matter the class, people like Christmas lights. Tiny little balls of light. Some colored. Some white. Some large. Some small. Some twinkle, some chase, and some stand still. I remember one set we had that had 20 Christmas songs to which the lights danced and the sound box played music.
So many of us are drawn to these little fragments of light. These little lights which, while they can neither compete with the power of the sun or the life giving Christ, seem to be people’s shining of their hope.
This hope, while it remains fragmented and small, seems to tell me something. In the rural world I live in, these people are not completely gone. They have not fallen completely into the despair and darkness. They hold within them a glimmer of hope and will turn on their twinkle lights from Halloween until well past the New Year.
The thing about this hope, this fragmented, colorfully whimsical hope, is the audience. Sure, they get some joy out of these lamps and designs, but the audience is whomever passes by. They turn their hope outward. Jean-Luc Nancy seeking the very act of speaking of pointing something from within outward as prayer audience. Christmas lights, in a practical way, seems to constitute a prayer. A turning outward.